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Probably the hottest direct competition to T‑Racks 3 comes from Izotope's freshly overhauled Ozone 4 to be reviewed in SOS very soon — Ed. This also offers a complete mastering environment within a single software 'shell', but it operates only as a plug‑in and not stand‑alone.
The emphasis in Ozone seems to be less about recreating specific vintage sounds, and more about in‑depth parameter access and processing flexibility, albeit with a wide variety of vintage‑style tonal flavours on tap. Where Ozone scores for me is in its control interface, which gives more graphical input when setting up processors such as the multi‑band compressor, and offers easy preset navigation and device re-ordering in the processing chain. It's also cheaper than T-Racks 3. There are also other fish in the sea if you're in the market for mastering plug‑ins, and if you're ready to spend around £400-plus, $500 a few other names you might want to check out are BIAS, Crysonic, Nugen, RN Digital and Sonalksis, all of which could provide something approaching a mastering bundle for that kind of outlay, depending on your needs. IK Multimedia T‑Racks 3 £437 $500 pros.
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More sonic options and greater processing flexibility via the five new modules and the built‑in effects matrix. Can operate as a plug‑in within your sequencer or audio editor. Extensively expanded metering. Cons. Setting up and evaluating matrixed effects is fiddly and frustrating. There seemed only a loose correlation between readings on the Perceived Loudness meter and my own perception of loudness.
Audio file playback functions still very basic. Summary Interfacing and control problems undermine the usefulness of a good all‑round suite of processors that can really add something special to your mastering and mixing projects. All contents copyright © SOS Publications Group and/or its licensors, 1985-2018. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers.
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